My artistic practice unfolds through textiles, installation, performance, and sculpture as critical tools to investigate the body from a biopolitical and intersectional perspective. I explore how power structures, such as authoritarianism, racism, gender-based violence, colonialism, and religion, shape racialised, vulnerable and dissident bodies.

I use textile, latex, installation and performance to operate as extensions of the skin and the political body. These soft materials embody tensions between control and escape, intimacy and exposure becoming critical languages for resistance and reconfiguration

I conceive art as a site of friction and symbolic resistance. I define my approach as artivism: not merely a source of aesthetic experience, but a politically charged gesture that seeks to provoke, interrupt, and expose dominant narratives. Moving between the intimate and the collective, my work embraces an affective, situated, and community-based methodology, often developed through participatory processes with individuals and groups directly impacted by the issues explored.

I have also cultivated a strong interest in independent curating and self-managed cultural practices, understanding these as horizontal gestures of care and mutual support that extend the political agency of artistic production.